A doll's house essay on marriage
and Krogstad, her double in crime, both appear upon the scene for the last time during the tarantelle dance - that is, at the climax of the play. It is the gruesome climax of Nora's doll life, and it is placed where the chief symbol of Ibsen's play is always placed, at the climax of the play. This is evidenced in her complete confidence in hiding the truth about borrowing money in order to save Torvalds health. Nora knew that the revelation would have put her husbands reputation at stake, but she felt deep inside that her husband would sacrifice his reputation to defend her as soon as he came to know that she did that to save his life. Thus, Nora emerges from that cave that showed her the distorted reality. Looking backward, by its light, Nora is no longer an inconsequent, impossible character.
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Thus, her life in the doll house was like the life of the people chained in the cave. In later plays he grows more skilful in his use of the device, but in each case the symbol of the play is some material object or event, a part of the mechanism of the piece. She is eager to dance it well for his sake and for her own. Essay, learn how to establish a clear sense of direction, with a handful of ideas presented with a sense of purpose, logic, and drive. She is consistent throughout. Feminism is the dominant theme, as Ibsen investigated the tragedy of being born as a bourgeoisie female in a society ruled by a patriarchal law. The real problem will not be guessed till he looks outside the play itself, and then only as it is revealed in flashes, by gleams thrown upon it, from within, by character and plot and symbol. Norma Helmer is the best illustration of the illusioned woman who lives in a society where the male oppresses the female and reduces to a mere doll or plaything. The problem of, a Doll's House, for instance, is not concerned with the marriage relations of Nora and Helmer, but with the character of Nora.